Weisz read English literature at
Having already worked for

More: A British actress whose name and dark looks effortlessly
conjure up associations with Eastern European exoticism, Rachel Weisz first
earned the attention of an international audience with her role as the
spoiled daughter of a sculptor in Bernardo Bertolucci's Stealing Beauty
(1996). The daughter of a Jewish-Hungarian inventor and an Austrian
psychoanalyst (both sides of the family fled Fascist Europe during the
'30s), Weisz was born in London on March 3, 1971. Much of her adolescence
was spent modeling, and after attending Cambridge to study English, she
broke into acting with a role in Sean Mathias' West End revival of Noel
Coward's Design for Living.
Rachel Weisz's performance in the play won her the Critics' Circle Best Newcomer
award, and she subsequently took advantage of this recognition with a
starring role in the BBC's TV adaptation of Scarlet & Black (1993), and then
in 1996 with her aforementioned part in Bertolucci's Stealing Beauty.
Although most attention was paid to Liv Tyler in her role as the film's
protagonist, Weisz managed to garner notice of her own, and this recognition
was furthered by her top billing opposite Keanu Reeves in Chain Reaction
that same year. Unfortunately, the big-budget thriller was an unmitigated
turkey; Weisz followed it with leads in smaller films such as The Land Girls
(1997), a WWII drama that cast her as a young socialite sent to work on a
farm; and Going All the Way (1997), a post-war coming-of-age drama starring
Ben Affleck and Jeremy Davies that saw Weisz play Wasp, Affleck's Jewish
girlfriend.
After returning to Britain to star as a hairdresser in the noirish drama I
Want You (1998), Rachel Weisz reappeared on the Hollywood radar as Brendan Fraser's
damsel in distress in the 1999 summer blockbuster The Mummy. That same year,
she played yet another love interest, that of a womanizing Ralph Fiennes in
Sunshine, István Szabó's epic drama about three generations of a family of
Hungarian Jews. Weisz' subsequent turn in the period drama Enemy at the
Gates (2000) saw her play the inamorata of yet another Fiennes brother,
Joseph. As a Russian-American sniper caught between the affections of a
Russian party official (Fiennes) and a legendary sniper (Jude Law), the
actress again returned to the early part of the 20th century (this time the
Battle of Stalingrad) and to the deep end of the Fiennes family gene pool.
Dutifully returning for The Mummy Returns a few short months later, that
same year found the starlet gaining positive notice for her role in director
Neil LaBute's biting stage drama The Shape of Things. Cast as a young art
student whose latest "piece" is a strikingly original form of sculpture,
Weisz's character would attempt to transform her boyfriend from schlub to
stud to surprising effect. When the play was adapted to film in 2001, the
team stuck together with Weisz and co-star Paul Rudd stepping before
LaBute's all-seeing lens. For her role in the 2003 crime drama Confidence,
Rachel Weisz would join a band of talented con artists in a daring bid to take a
banker with ties to organized crime for all he's worth. Though the film may
not have struck box-office gold, it did prove something of a sleeper and
drew generally favorable reviews from critics. Confidence would be one of
two films that found Weisz cast alongside screen legend Dustin Hoffman in
2003, the other being the courtroom thriller Runaway Jury. If her last few
years had been slightly weighed down in drama, audiences could be assured
that things would lighten up considerably when Weisz joined the cast of the
Barry Levinson comedy Envy (2004).
Filmography
This Rachel Weisz Biography Page is Copyright © 2004 - 2009 Chuck Ayoub